His own read on the night was simple. He described it as energetic and very interactive, and said the happiness of the crowd was what stuck with him.
“I enjoyed it so much because I could see that the people were very happy. I love Dominica because it reminds me so much of Jamaica. I see ackee there, June plum and bumpy banana,” he said. He also had a fitting observation about the island itself. “I’m also impressed with all the development I saw there.
Plus, people may not realise that it’s literally a fiery ground with several volcanoes on the island, so as a fireman, I love that.”
So why did it take two decades? According to Capleton, there was no falling out, just a calendar that never lined up when Dominican organisers came calling.
“Whenever they tried to get me in Dominica, I was unavailable at times with other assignments and performances on the dates they wanted,” he explained. He was quick to add that the island’s fans are “some of my biggest and most loyal fans,” and that it has always been “nothing but love, respect and support.”
For some fans, that explanation will land easily given how busy he has stayed. Others who spent twenty years watching him play elsewhere may simply be glad the wait is over, reasons aside.
Capleton, the artiste behind Slew Dem, is still recognised as one of the hardest working men in dancehall, and his schedule isn’t slowing down. Next up is the Welcome to Jamrock cruise.
He also has a new children’s empowerment song with Luciano waiting to drop, executive produced by Contractor Music.
No release date has been announced yet, but fans in Roseau now have a fresh reason to hope it won’t be another twenty years before he’s back.


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